Sito del restauro della Cappella  degli Scrovegni Ministero per i Beni e le Attività Culturali Istituto Centrale per il Restauro
The Chapel
The Opus
Restoration
Virtual tour
About Padua
More details
Search
[HOME]

Restoration diary

RESTORATION ALPHABET TYPES OF ALTERATIONS


March 18, 2002

  • Conclusion of restoration work and reopening of Chapel to the general public.


January 18, 2002

 

  • Restoration is moving towards "the finishing line". The state of progress was described at a press conference in Padua attended by the mayor, Giustina Mistrello Destro; by the under-secretary for the cultural heritage, Vittorio Sgarbi; by Maria Stella Spampinato, representing ICR; and by the project designer and works director, Giuseppe Basile. Participants included members of the International Committee of experts on wall-painting restoration, the Scientific Committee for the international congress on Giotto (to be held in late 2002) and the interdisciplinary commission for the restoration of the Scrovegni Chapel.
    During the conference, the new website "Giotto agli Scrovegni" was presented, produced by ICR (www.icr.arti.beniculturali.it/scrovegni.htm), which makes it possible to follow the restoration online, and allows visitors to immerse themselves completely in the Florentine master's work.
    After the press conference, Vittorio Sgarbi and Giuseppe Basile conducted a "guided" tour of the work-site enabling participants to admire the restored frescoes from the scaffolding platform.

    As of January 2002, the following work had been carried out:

  • 90% of the frescoes restored. Still outstanding, the base with the figures of the Vices and Virtues, the Last Judgement on the end wall, the part depicting the Inferno (cleaned but with lacunas still to be treated).

  • A start had been made on restoring the other wall paintings in the apse (by various artists), as well as those in the presbytery (School of Giotto) and the marble funeral monument to Enrico Scrovegni. Still to be carried out (though not included in the original project and in the financial plan), work on the statue of Enrico at prayer, in the sacristy; the marble altar statues by Giovanni Pisano; and also the Chapel's ornaments and fittings.

  • Furthermore, ICR is continuing its campaign to make people more aware of Giotto's work in Padua; this campaign, in addition to the website presented here, includes the virtual reconstruction of the original appearance of the wall paintings.

November 14, 2001


  • The first results of the restoration project are presented at a press conference in Rome, held by the Minister for the Cultural Heritage, Giuliano Urbani, together with the mayor of Padua, Giustina Mistrello Destro; the director of the Central Institute for Restoration, Almamaria Mignosi Tantillo; and the director of the work-site, Giuseppe Basile. Participants included many of the restorers and scientists working on the project in Padua.As of November 14, the following results had been achieved:

  • Restoration of high risk areas complete (except for the Inferno, where work is still in progress) as well as other areas, for a total of about 40% of the whole painted surface, corresponding to 26 frames, as well as the end wall (but not the Inferno and the scene with Enrico Scrovegni offering up the Chapel to the Virgin) as well as a large part of the star-studded roof vaulting.

  • Urgent conservation work complete on high risk areas, such as the Last Judgement on the end wall, the Mission to Mary and the Annunciation (especially badly damaged following the demolition of the adjacent palazzo in 1824, which provided support for the Chapel), the Ascent to Calvary, Christ among the Elders, the Wedding Procession, the Presage of Mary's death and a large part of the roof vaulting. These urgent works were made necessary by the drastic effect of a recent cause of deterioration - atmospheric pollution, which causes the pigment to crumble away and fall off.

  • Attenuation of the colour differences due to restoration work carried out in the past (Botti and Bertolli in the late 19th century, Tintori in the early 1960s), by means of visually lowering the lacunas, or by filling them "a tratteggio" always with water-colour so as to ensure that the process can be reversed.


July 3, 2001


  • The first phase is completed, on this cycle of world-famous wall paintings by the Florentine maestro, Giotto, in the Scrovegni Chapel in Padua. Now the real restoration project starts, after preparatory work that has lasted over twenty years (scientific surveys, research, tests, etc.).



May 31, 2000

  • The Ministry for the Cultural Heritage and the Padua City Council (owner of the Chapel since 1881) sign a protocol of understanding which includes financing by the Ministry for the sum of 3.5 billion lire, for restoring the Chapel. The work is conducted by the Central Institute for Restoration (ICR), which had also been commissioned to restore Giotto's frescoes in Assisi, after the earthquake.